1 00:00:00,000 --> 00:00:04,480 Serial TV Story 2 00:00:02,370 --> 00:00:04,420 At last starting today, 3 00:00:04,420 --> 00:00:08,320 I would be guiding Kitamura-san through women's clothing at his factory. 4 00:00:08,510 --> 00:00:14,690 Even so, what kind of guy are they going to get to be the Director of that factory? 5 00:00:14,690 --> 00:00:17,520 Ah, that is the crucial point, isn't it? 6 00:00:18,430 --> 00:00:22,180 Yeah... It's not just their skills but their intuition that's important. 7 00:00:22,180 --> 00:00:26,210 Getting someone who says they know the span of it all is fine... 8 00:00:26,210 --> 00:00:30,980 ...but how much I might have to explain that he doesn't know could make things difficult. 9 00:00:39,360 --> 00:00:51,060 Heiwa Fansubs Presents... 10 00:00:39,360 --> 00:00:51,060 Carnation 11 00:00:41,190 --> 00:00:51,990 My small, rounded body is now 12 00:00:41,190 --> 00:00:51,990 Chisaku marumeta karada wa ima 13 00:00:41,190 --> 00:00:51,990 My body, tiny and curled up, is right now 14 00:00:44,730 --> 00:00:51,060 Week 16 "A Shaken Heart" Episode 89 15 00:00:51,990 --> 00:00:59,930 Hiding the stains and trembling 16 00:00:51,990 --> 00:00:59,930 Kanashimi kakushi furuete 17 00:00:51,990 --> 00:00:59,930 Trembling with hidden sorrows 18 00:00:52,770 --> 00:00:56,400 Screenplay Watanabe Aya 19 00:00:56,400 --> 00:00:59,740 Music Satō Naoki Musical Performance\h Face Music 20 00:00:59,740 --> 00:01:03,110 Theme Song "Carnation" Sheena Ringo 21 00:00:59,930 --> 00:01:08,520 It represents life. 22 00:00:59,930 --> 00:01:08,520 Inochi o arawashite iro no ne 23 00:00:59,930 --> 00:01:08,520 My life is represented by my color, isn't it 24 00:01:03,810 --> 00:01:05,450 Cast 25 00:01:05,450 --> 00:01:08,510 Ohara Itoko Ono Machiko 26 00:01:08,510 --> 00:01:11,580 Ohara Chiyo Asau Yumi 27 00:01:08,520 --> 00:01:19,140 My eyelids are now heavily wet 28 00:01:08,520 --> 00:01:19,140 Omoku nurashita mabuta wa ima 29 00:01:08,520 --> 00:01:19,140 My eyelids, heavily soaked, are right now 30 00:01:11,580 --> 00:01:14,690 Suo Ryūichi Ayano Gou 31 00:01:14,690 --> 00:01:17,700 Kitamura Tatsuo Hosshan. 32 00:01:17,700 --> 00:01:21,030 Masako Genkaku Yūko 33 00:01:19,140 --> 00:01:27,220 For a day that brings joy 34 00:01:19,140 --> 00:01:27,220 Yorokobi utsusu hi no tame 35 00:01:19,140 --> 00:01:27,220 Reflecting my rapture of this day 36 00:01:27,220 --> 00:01:36,560 You're growing your heart 37 00:01:27,220 --> 00:01:36,560 Kokoro o sodatete iru no ne 38 00:01:27,220 --> 00:01:36,560 That's how a heart is raised, isn't it 39 00:01:42,750 --> 00:01:48,420 Shinsaibashi, Kitamura's Factory 40 00:01:49,970 --> 00:01:52,090 Good morning... 41 00:02:03,490 --> 00:02:05,650 Good morning. 42 00:02:20,140 --> 00:02:21,780 Ala... 43 00:02:23,690 --> 00:02:26,740 This is a really good one. 44 00:02:37,340 --> 00:02:38,430 Ehh... 45 00:02:40,260 --> 00:02:41,680 It's stopped... 46 00:02:47,250 --> 00:02:52,030 A friend should keep it properly wound. 47 00:02:52,520 --> 00:02:53,940 Properly wound. 48 00:03:12,320 --> 00:03:13,690 Good morning. 49 00:03:13,690 --> 00:03:16,240 Ah, good morning. 50 00:03:24,330 --> 00:03:25,470 Ah! 51 00:03:25,980 --> 00:03:26,900 Ahh! 52 00:03:28,700 --> 00:03:29,950 Ahh... 53 00:03:33,930 --> 00:03:37,500 Out of order 54 00:03:39,010 --> 00:03:44,240 This here's the Director. This is Suo Ryūichi, originally a tailor craftsman... 55 00:03:42,760 --> 00:03:44,240 I know. 56 00:03:43,530 --> 00:03:48,310 Suo Ryūichi 57 00:03:45,000 --> 00:03:46,650 How would you know? 58 00:03:47,140 --> 00:03:49,930 We met at the monthly meeting. 59 00:03:50,600 --> 00:03:54,610 After that he came to help me at my store with some things. 60 00:03:55,900 --> 00:03:57,410 Really? 61 00:03:58,200 --> 00:03:59,930 Why didn't ya say anything about this? 62 00:03:59,930 --> 00:04:01,620 Ah, well... 63 00:04:01,920 --> 00:04:05,820 Still, well, that's a story from long ago. 64 00:04:06,620 --> 00:04:09,660 Ah... Well well, that's fine. 65 00:04:09,660 --> 00:04:12,930 Well then, without delay, um, shall we start discussing the sale of the clothes? 66 00:04:12,930 --> 00:04:14,130 Ah, go ahead. 67 00:04:17,800 --> 00:04:20,330 I'll get straight to the point. 68 00:04:24,060 --> 00:04:27,770 Your clothes are popular, right? 69 00:04:27,930 --> 00:04:29,000 Huh? 70 00:04:29,000 --> 00:04:30,450 The polka-dotted ones! 71 00:04:31,080 --> 00:04:32,450 Ah... 72 00:04:33,880 --> 00:04:35,820 That's what we want to make. 73 00:04:42,910 --> 00:04:46,860 Are you making fun of women's clothing? 74 00:04:48,010 --> 00:04:49,200 Huh?! 75 00:04:49,650 --> 00:04:50,980 Listen. 76 00:04:50,980 --> 00:04:54,470 I could teach you how to make a good polka-dot dress. 77 00:04:54,470 --> 00:04:56,930 But please, really think this through. 78 00:04:57,540 --> 00:05:00,490 Are you really sure about that? 79 00:05:03,570 --> 00:05:04,920 Ah... we can't? 80 00:05:16,890 --> 00:05:18,530 Oi! Eh... 81 00:05:21,270 --> 00:05:23,600 Fashion Scrapbook 82 00:05:24,160 --> 00:05:27,040 You'll have to start studying from the very beginning. 83 00:05:32,800 --> 00:05:35,920 And now this takes us into the war era. 84 00:05:36,390 --> 00:05:40,000 These came close to becoming men's suits. 85 00:05:40,390 --> 00:05:44,350 Both with the shoulder pads and in the overall design. 86 00:05:44,850 --> 00:05:49,960 They're totally changed from the soft, feminine styles from before the war, aren't they? 87 00:05:51,660 --> 00:05:57,070 And we didn't know what Western clothes were like during the many years of the war. 88 00:05:57,580 --> 00:05:59,560 All we had were monpe. 89 00:06:00,300 --> 00:06:04,940 Then, when the war ended, this was the first fashion to appear. 90 00:06:05,110 --> 00:06:08,110 PanPan Girl 91 00:06:06,750 --> 00:06:08,110 A PanPan girl. 92 00:06:08,110 --> 00:06:09,120 That's right. 93 00:06:10,090 --> 00:06:13,540 These girls were the first ones to dress up. 94 00:06:13,540 --> 00:06:16,420 They were wonderfully stylish. 95 00:06:16,910 --> 00:06:20,540 At first women turned a cold shoulder to them... 96 00:06:20,540 --> 00:06:23,030 ...but now they're mimicking them more and more. 97 00:06:23,300 --> 00:06:24,450 And then... 98 00:06:25,210 --> 00:06:31,380 I made this just a little while ago... 99 00:06:32,080 --> 00:06:34,220 This is it! 100 00:06:34,880 --> 00:06:39,580 This has been very fashionable since the spring of Showa 21. (1946) 101 00:06:40,770 --> 00:06:44,680 But it's already been going on two years old now. 102 00:06:45,170 --> 00:06:47,700 But even if it is two years old... 103 00:06:49,570 --> 00:06:51,230 We can't do that? 104 00:06:51,570 --> 00:06:55,260 Sorry to disappoint you, but even a dog wouldn't bite on this one anymore. 105 00:06:55,550 --> 00:06:57,210 I see... 106 00:06:58,230 --> 00:07:00,590 Now listen closely, Kitamura-san. 107 00:07:00,870 --> 00:07:02,870 In women's wear... 108 00:07:03,630 --> 00:07:09,000 It is the very nature of fashion to be strict and severe. 109 00:07:09,000 --> 00:07:12,990 Once you've begun doing women's wear... 110 00:07:12,990 --> 00:07:18,020 ...unless you intend to prostrate yourself before it's laws, don't even get into it! 111 00:07:14,250 --> 00:07:18,020 All right! I understand! You're too close! 112 00:07:17,310 --> 00:07:18,020 Huh? 113 00:07:18,020 --> 00:07:22,670 All right. Don't say anymore unnecessary things. Geez, I don't need anymore of this! 114 00:07:22,030 --> 00:07:22,670 Huh? 115 00:07:22,670 --> 00:07:25,400 I said I don't need this! 116 00:07:23,740 --> 00:07:25,400 No, my talk is essential! 117 00:07:25,400 --> 00:07:29,140 It's not essential to me! Ah... This guy, this guy... He'd LOVE to hear this "essential" talk of yours. 118 00:07:29,140 --> 00:07:31,090 No, no, no. 119 00:07:29,470 --> 00:07:31,090 Counting on ya! 120 00:07:30,000 --> 00:07:31,090 No, please wait a moment. 121 00:07:31,090 --> 00:07:35,090 I've had enough. Counting on ya! 122 00:07:32,350 --> 00:07:35,090 No, please wait. 123 00:07:32,970 --> 00:07:35,090 I've had enough, I said! 124 00:07:33,620 --> 00:07:35,090 Wait! 125 00:07:36,390 --> 00:07:37,630 Ah! 126 00:07:43,510 --> 00:07:44,850 Um... 127 00:07:45,960 --> 00:07:46,950 Yes? 128 00:07:47,210 --> 00:07:50,160 And where does it go on from here? 129 00:07:50,690 --> 00:07:51,460 Ah... 130 00:07:52,050 --> 00:07:53,400 Let's see... 131 00:07:54,400 --> 00:07:55,590 That is... 132 00:07:56,120 --> 00:07:58,110 Let's see... 133 00:07:59,120 --> 00:08:02,960 Ah, well anyhow, right now it's Dior! 134 00:08:03,260 --> 00:08:05,110 Ah, Dior. 135 00:08:06,040 --> 00:08:08,440 He's a designer in Paris... 136 00:08:08,440 --> 00:08:12,510 ...but announcements of clothes from him have captured attention from around the world. 137 00:08:12,990 --> 00:08:14,580 Still well... 138 00:08:14,580 --> 00:08:18,960 ...due to the lack of fabric everywhere, they're not easy to make... 139 00:08:18,960 --> 00:08:21,480 ...but women all over the world are eager to wear them. 140 00:08:23,300 --> 00:08:24,950 In that case... 141 00:08:25,410 --> 00:08:26,290 Huh? 142 00:08:26,290 --> 00:08:30,890 If this factory is to make such things, then this is the style we should try to emulate? 143 00:08:31,430 --> 00:08:32,510 Ah... 144 00:08:32,960 --> 00:08:35,630 That's right. That's what I was thinking. 145 00:08:35,630 --> 00:08:36,600 Hmm... 146 00:08:38,280 --> 00:08:41,620 Still, making it exactly the same is impossible. 147 00:08:41,620 --> 00:08:44,960 Please look. Here, see, due to the amount of fabric needed. 148 00:08:45,530 --> 00:08:49,100 Ah... It is quite a lot, isn't it? 149 00:08:49,940 --> 00:08:55,180 Because we want to keep the selling price low, we just couldn't use this amount of fabric. 150 00:08:55,550 --> 00:08:58,530 Still, I think it's best to stay as close to... 151 00:08:59,010 --> 00:09:01,910 ...the length and ambiance of it as we can. 152 00:09:02,140 --> 00:09:03,560 That's true. 153 00:09:08,820 --> 00:09:10,420 Ah, would you like me to draw it? 154 00:09:10,420 --> 00:09:12,810 Ah, yes. If you would please. 155 00:09:43,120 --> 00:09:46,700 Sensei, how did it go yesterday? 156 00:09:46,950 --> 00:09:47,830 Huh? 157 00:09:48,040 --> 00:09:51,650 With the Director of the factory. Did he seem like a good person? 158 00:09:52,150 --> 00:09:53,390 Yeah... 159 00:09:54,060 --> 00:09:55,290 Ah... 160 00:09:56,340 --> 00:09:58,000 So-so I guess. 161 00:09:58,610 --> 00:10:00,820 Hmm... 162 00:10:06,360 --> 00:10:08,280 He has good intuitions... 163 00:10:08,550 --> 00:10:10,730 ...is well-informed and, well... 164 00:10:11,170 --> 00:10:13,770 ...I don't think he'll cause any troubles. 165 00:10:14,460 --> 00:10:16,820 That's great then, isn't it? 166 00:10:18,930 --> 00:10:21,770 Masa-chan, would you like seconds? 167 00:10:21,770 --> 00:10:23,240 Ah, please. 168 00:10:30,950 --> 00:10:34,350 Um, it's Suo-san see, and... 169 00:10:34,980 --> 00:10:36,100 Um... 170 00:10:36,510 --> 00:10:37,580 Suo-san?! 171 00:10:38,810 --> 00:10:41,260 Ah... you remember him? 172 00:10:41,420 --> 00:10:46,090 It was quite a while ago when he helped out around the store. 173 00:10:44,150 --> 00:10:46,090 Of course I wouldn't forget him! 174 00:10:46,490 --> 00:10:47,560 Suo-san?! 175 00:10:47,560 --> 00:10:50,230 Ehh... Well... I want to meet him. 176 00:10:50,230 --> 00:10:52,460 I'd like to meet him, too. 177 00:10:50,990 --> 00:10:52,460 Right? 178 00:10:52,460 --> 00:10:55,100 I want to meet him, too. 179 00:10:55,950 --> 00:10:57,570 Well, that's great then. 180 00:10:57,000 --> 00:10:57,570 Yeah. 181 00:11:03,120 --> 00:11:04,930 Earlier I... 182 00:11:06,860 --> 00:11:11,980 ...had tried to hide that I had met Suo-san from everyone. 183 00:11:14,250 --> 00:11:15,740 Why? 184 00:11:16,570 --> 00:11:19,350 Because I felt guilty. 185 00:11:20,250 --> 00:11:24,620 Over what? There's nothing to feel guilty about... 186 00:11:25,930 --> 00:11:28,680 No, there is. 187 00:11:29,400 --> 00:11:34,260 The guilt is there in the deepest parts of my heart... 188 00:11:38,260 --> 00:11:41,050 Ah... What am I thinking! 189 00:11:41,050 --> 00:11:42,740 Mustn't, mustn't, mustn't! 190 00:11:45,680 --> 00:11:48,750 Work... Work! 191 00:12:11,800 --> 00:12:14,530 Good morning. 192 00:12:12,940 --> 00:12:14,530 Good morning. 193 00:12:18,990 --> 00:12:20,700 There's that, isn't there? 194 00:12:21,170 --> 00:12:24,590 You've already been here for quite a while this morning, haven't you? 195 00:12:29,180 --> 00:12:30,400 Your face... 196 00:12:31,010 --> 00:12:31,930 Eh? 197 00:12:32,490 --> 00:12:36,060 It's red right around here somehow. 198 00:12:37,300 --> 00:12:38,540 Is that so? 199 00:12:38,540 --> 00:12:40,140 Did someone hit you? 200 00:12:40,560 --> 00:12:41,940 No, no, no... 201 00:12:42,530 --> 00:12:43,940 I'm fine. 202 00:12:44,490 --> 00:12:45,970 I see. 203 00:12:46,950 --> 00:12:49,550 Ah, this is difficult. 204 00:12:50,860 --> 00:12:53,380 When you open it up a little here... 205 00:12:53,790 --> 00:12:55,660 ...it becomes more feminine, right? 206 00:12:56,150 --> 00:12:58,960 Try it yourself. 207 00:12:57,680 --> 00:12:58,960 Well... 208 00:12:58,960 --> 00:13:03,090 ...even so, he's easy to work with. 209 00:13:03,360 --> 00:13:06,870 And then you finish it by pinning it here. 210 00:13:06,030 --> 00:13:06,870 Yes. 211 00:13:09,540 --> 00:13:10,870 Here. 212 00:13:11,430 --> 00:13:12,700 Thank you. 213 00:13:14,760 --> 00:13:16,910 Like I thought, this will be difficult. 214 00:13:25,430 --> 00:13:26,650 Here you go. 215 00:13:26,650 --> 00:13:29,020 Ah, thank you very much. 216 00:13:32,640 --> 00:13:34,730 Even so, Suo-san. 217 00:13:34,730 --> 00:13:35,960 What is it? 218 00:13:35,960 --> 00:13:39,100 Why did you accept becoming the Director of this factory? 219 00:13:41,630 --> 00:13:44,300 Because I love tailoring work. 220 00:13:45,950 --> 00:13:49,590 But there's lots of tailoring work right now, isn't there? 221 00:13:49,590 --> 00:13:52,930 Men are wanting to wear wonderful business suits, right? 222 00:13:53,250 --> 00:13:58,350 But, thanks to that, anyway there's large numbers of tailors to make them. 223 00:13:58,350 --> 00:13:59,370 Ah... 224 00:13:59,370 --> 00:14:01,920 There are also many tailoring factories. 225 00:14:03,440 --> 00:14:07,970 So I thought it would be best to take up with this factory. 226 00:14:09,090 --> 00:14:13,240 Kitamura-san said he would pay me some very good wages. 227 00:14:13,930 --> 00:14:18,250 Moreover, I thought it would be very interesting... 228 00:14:18,250 --> 00:14:21,410 ...to study about women's clothing. 229 00:14:21,760 --> 00:14:23,050 Ehh... 230 00:14:23,460 --> 00:14:26,280 You have an interest in women's clothing? 231 00:14:26,680 --> 00:14:31,050 And then I heard that Ohara-san would be coming to guide me. 232 00:14:51,070 --> 00:14:54,540 To Be Continued 233 00:14:54,540 --> 00:14:59,610 Carnation 234 00:14:54,540 --> 00:14:59,610 End 235 00:14:54,540 --> 00:14:59,610 Stylishly Dressed Photo Gallery 236 00:14:55,240 --> 00:14:59,610 Sisters On Good Terms in One-piece Dresses (Photo Studio in Hyogo-ken)